Radiohead album releases often feel like holidays for fans. The anticipation, dissection, and eagerness to explore what's always expected to be a rich musical experience.

The alchemy of Radiohead's five members coming together has always been a wonder to behold across all their records. As the band has carried on, however, its members have steadily begun to branch out on their own and try new things with solo material. We've heard it from vocalist Thom Yorke, guitarist Jonny Greenwood, drummer Philip Selway, and now we're finally getting a peek into the creative world of multi-instrumentalist Ed O'Brien.

Below you can read some selections from their conversation. Kevin Cole: This is your first solo album. I'm curious ata arms cy turkey super magnum shotgun know more about how this project came about.

interview: radioheads ed obrien talks about his new solo album

In the past, you've been reluctant to record a solo album or have other projects as you've been vocal about your work with Radiohead and how fulfilling that's been and how it wouldn't feel right to do other projects. So, what made you feel like it's the right time? Ed O'Brien: It wasn't that I didn't feel right about doing other projects because the others [bandmates] have been doing them.

Radiohead's Ed O'Brien to release solo album

It was more a case of, I was very creatively satisfied with what I was doing in Radiohead and, massively, I had a young family. Once the kids were born, because I come from a split family, one of the things I've always said, like, "I want to be there for my family, for my kids.

I have to be there. I want to be there for my kids. In fact, it was Neil Finn who turned around and said, "Ed, your kids are not going to thank you for leaving Radiohead when they're teenagers. We had a lot of time with Radiohead. On the downtime, I wanted to be there for my kids. And then something happened. It's a bit like that pull of music when something happens.

There's no kind of logic to it.

interview: radioheads ed obrien talks about his new solo album

Suddenly it was like I was writing. I mean, literally, I found a way of writing. I always struggled with how to write and I found a method. And it was almost like letting go, and the moment I was like "I'm not writing a song" — stuff started to happen.

There were lots of things.

Radioheads’ Ed O’Brien enters new chapter with solo album

I was inspired. We went to live in the Brazilian countryside, really rural, halfway between Rio and Sao Paolo, on this farm. And I suddenly had time. I would go off and write in this little hut up by this lake. It was completely idyllic. And I started off trying to write something electronic and I just kept on coming back — well, I had a eureka moment with Primal Scream's Screamadelica.Raina Douris.

John Myers. If there's one lesson I've taken from the last month or so of unprecedented change and self-isolation, it's that we human beings truly need each other. We have always known that we're social animals, but suddenly being unable to gather together, it becomes even more obvious how deeply we crave that human connection.

While working on his debut solo album, Ed O'Brien was inspired by things like late night raves at music festivals and Brazil's Carnival. In our conversation, he talks about those moments of community, of understanding, of us all being in it together. You may know Ed O'Brien as a guitarist for the band Radiohead. Through the years, some of those members have tried their hands at solo projects, and now it's Ed's turn. For his new project, he goes by the name EOB.

The album is called Earth, and we begin this session by listening to one of the singles from the album and one of my favorite songs of the year so far, "Shangri-La. Accessibility links Skip to main content Keyboard shortcuts for audio player. NPR Shop. Facebook Twitter Flipboard Email.

April 17, PM ET. Enlarge this image. Ed O'Brien Radiohead.Belying the gloomy image of the band he co-founded 35 years ago, the year-old Radiohead guitarist is a friendly and inquisitive conversationalist who seems to crave human connection. His sunny demeanor is not even dimmed by our current worldwide crisis, which has affected him personally. I basically sat outside all day because the weather is glorious. Though he has not been officially tested. And yet, during our interview, he did not appear to let his own health or the troubled state of the world get him down.

Elsewhere, he delivers acoustic mood pieces reminiscent of Meddle era Pink Floyd, thanks in part to his lovely and surprisingly effective tenor vocals. Are you doing that as well? I feel like my music taste is changing. I want to listen to a lot more classical music.

The times are sort of differentiating quite drastically what I want to listen to. What are you listening to? I think it was a really lovely time. I was very lucky. I was very blessed to be exposed to a lot of music. And Peter And The Wolf scared the fucking living shit out of me. This might be an awkward question for the person who helped to make it, but: Why do you think Kid A has that sort of resonance? Well, I know that it was made at a time within the band when there was a massive unease.

I remember that one of the winters — because it took about a year and a half to record, I think it was the first winter — when we had the foot-in-mouth disease in Britain, and they literally had to kill millions of cattle because they were worried about a pandemic. And there was a lot of rain, there were lots of floods everywhere. And I remember feeling very bleak when we recorded it. Maybe that resonated. Obviously, at this time all in-person communal events are being put on hold.

How significant is that loss? I need those great communal events. I had to give up the news. When I was in the heart of my depression, I basically stopped watching the news for seven years. Human beings in really difficult situations can actually be enlightened, and they can be incredibly creative. This is where music, I think, has actually a really important part to play.

A great gig is almost like going to church. I am hoping that I will be able tour. Whenever that will be, we will do it. We come from different places in the world. I really want to get out there, play music and connect with people.I just never felt comfortable with going under the name Ed O'Brien.

I did this guitar with Fender and Alex Perez is the guy who built this prototype at Fender that I co-designed. And he, on an email heading, he just put EOB Strat. I was like, ah, that's it! EOB, and what I like about it is it means that it's not just me. I can feel free in the future to collaborate with people and bring them under the umbrella of EOB.

Well, the album is called Earth, and you know, nature has played a really, really important part in my life. But, also in the music. For instance, when I started writing this album, I went back to the countryside, and it's kind of my natural habitat. And when we went to live in Brazil, we were studying for the first time back in the countryside. My wife and my kids hadn't been to the country I had. And I was like, oh, this is how it is and nature.

And that's where the music came out. And that's where I go to access the music. I go to places. That's where I feel inspired. And nature is really important. It's being in the elements, feeling it when I connect with a song. When In Rainbows came out inI said to Susan — my wife — I think, you know, we need to have an adventure together.

I've had so many adventures around the world with the band that I'm in — I want to have an adventure with you because you know, why not? So I said to the guys, the rest of the band, I said inI said, in five years time, I want to take a year out and I want to go.

And if you want to carry on working, fine. But I have to do this. I have to do this for my family and I have to. And we lived on the edge of a farm, adobe house. The kids went to school at in the morning, came back at one.Discussion in ' Music Corner ' started by GroovyOct 10, Log in or Sign up. Steve Hoffman Music Forums. To be released after Radiohead's current tour. GroovyOct 10, Looking forward to whatever he does.

I lov e Ed! SummerisleOct 11, Location: Brooklyn in the House. I'm a little late to the game on this one but just heard about this album and am too excited to hear what Ed has come up with.

BeholdentonooneDec 5, Location: Far from home. Wow Eddy Location: Vancouver. SquealyDec 5, Location: Los Angeles, CA. So whatever happened to this? I see no evidence it was ever released much less mentioned again. No doubt he's been busy with his "main gig" for quite some time now, but has anyone heard anything else about this record coming out?

Edit: if it's to be released after their current world tour, as the first linked article states, then we may see it sometime this summer: Pollstar Radiohead. Well I'm confused. It had seemed from the Guardian article in my first post that this project was already in the bag but apparently not. I guess it had been written but not recorded. GroovyNov 14, Radiohead has never been a band to analyze their own music. Luckily, fans and critics have been happy do that for them over the last two decades.

Any devoted Radiohead listener could give you a college-level course on music theory, production, technology, and lyrical analysis digging into everything—from the band's many masterpieces, to songs they've never actually recorded but tinkered with live over the years.

There's an entire website devoted to keeping running tabs on the technology that Radiohead's members are currently using.

Thankfully, there's enough Radiohead material to warrant such rampant dissection of the band's music. At every turn throughout their career, they've predicted or created the major pivots of rock music and beyond. Twenty years ago, OK Computer marched guitar music into the technological paranoia of the 21st Century; a few years later, the band fully embraced what would become an electronically dominant industry.

It's that long drawn out alien sound you can hear in the background supporting the swells and structure of songs like "Kid A. So O'Brien fashioned his own instrument, having the Radiohead gear guy attach a sustainer to his guitar, a Clapton Stratocaster.

The makeshift instrument achieved the sound he wanted, but it stopped functioning as a regular guitar, and for the entirety of the s O'Brien has been swapping out instruments to play both synth and guitar. It's the first signature Radiohead instrument designed by a band member. O'Brien spoke with Esquire. When we made the album Kid Awe wanted to throw away our conventional tools. And there was more of a reach for things like synths. I was interested in this sustaining guitar—this idea that you could turn a guitar into more of a synth and you could use that to go through some pedals, and looping pedals had just come out.

I asked Peter Frank, who looked after the Radiohead gear, if he could get this Fernandes Sustainer and put it in my Clapton Strat that I had at the time. It was really great and particularly with the looping pedal was able to achieve more sounds and textures I never thought were possible. The only problem with that was the clean sound. In rearranging the pickups and gouging out and the work of putting in the sustaining unit, it ceased to function as a normal guitar very well.

My thing with Fender was at the basic level it has to be a very great Strat with a great neck and with the flick of a switch it turns into a sustainer. You could use it as string pads, and you can layer it up. Or you can use it very aggressively and you could have a driving fuzz pedal.

We do it and it comes out of us.

EOB - Olympik (Visualizer)

A lot of times a sound is specific to a period of time, but with the sustainer Strat I started using it around '99 and now I use it more than ever. I used to literally have to change guitars every song. I can sort of do it all really. If I have to I can do the whole gig with one guitar—maybe two—that and a Rickenbacker.

I can be a lot more in the moment. It allows me to play in a different way. It could be the first proper guitar that a teenager might go to or a student in their early 20s could go to. They could do something totally unique and make it their own. You can pick that up having never played the guitar and within a couple of minutes you could make a unique beautiful sound.

I go back into the studio next week. Yes there are some tour dates being looked at for Radiohead next year. So the idea is to have it finished by this summer to have it all mixed and mastered.

interview: radioheads ed obrien talks about his new solo album

Then we have to find a label for it.Bob Boilen. EOB's Earth is due out April 17, Courtesy of the artist hide caption. It's his first under the moniker EOB and will be out on April It's an album that feels both boldly colorful and intimate — one that reflects the two landscapes that underlie this record: Brazil and Wales. Mark Ellis, who works under the name Flood, largely produced this album.

He has not only a long history of working on big productions from U2 to PJ Harvey, but also has a child in the same school as Ed O'Brien's and so the two have become close friends. That friendship accounts for the warmth on this record.

There are also some extraordinary players, including Radiohead bandmate Colin Greenwood, guitarist Adrian Utley from what Ed calls the other "head" band, Portishead, drums from Omar Hakim and Wilco's Glenn Kotche, bassist Nathan East, singer and guitarist Laura Marling and the list goes on.

On March 23, Ed O'Brien posted on social media that he most likely had the coronavirus but was expecting a full recovery. Our conversation on April 2 begins with an update on his health. Accessibility links Skip to main content Keyboard shortcuts for audio player. NPR Shop. Earth is an album that feels both boldly colorful and intimate — one that reflects the two landscapes that underlie this record: Brazil and Wales.

Stay in touch with our newsletter: www. All Songs Considered. Facebook Twitter Flipboard Email. April 7, AM ET. Enlarge this image. Ed O'Brien Radiohead. See All Songs Considered sponsors and promo codes.